As an arsonist hired by lawyer William Hurt, Rourke stole the movie in his few brief scenes. His film debut came through a small role in Steven Spielberg's 1941, but it was in Lawrence Kasdan's modernized film noir, Body Heat, that Rourke made his mark. Director Elia Kazan, who directed both of those legends in career defining performances, said Rourke's student audition was the best he'd seen in more than thirty years. He was finally granted admission to the legendary Actors Studio whose famous alumni included such giants as Marlon Brando and James Dean. Smitten with this newly discovered craft, he moved to New York where he studied with an acting coach while working menial jobs. His interest in acting came about by accident when a friend told him about a local play whose director was not happy with the actor cast in the lead. After suffering a concussion at the 1971 Florida Golden Gloves, he was advised to take a year off, during which time Rourke would step into another kind of ring: the stage. He found one outlet for his anger through boxing. She let it happen, and it happened for a decade.” Because she turned her back to it and she was supposed to be responsible for me and Joe (his brother). “I was angry with her for my whole life for what she did. With his mother and younger brother, he moved to Florida and a home life he would later describe as "terrifying." His stepfather abused the boys, and Rourke's rage would follow him all his life, and destroy his relationship with his mother. In a sense, it already has.īorn Septemin Schenectady, New York, Rourke was six-years-old when his parents divorced and his mother married a police officer from Miami Beach. Against all the odds, however, he would climb out of the wreckage he had made of his life and find redemption. Like that Rebel without a Cause, Rourke crashed and burned, but unlike Dean, he was very much alive at the time. With a chip on his shoulder, and a swagger in his walk, he emerged in the 1980s as the hottest thing since James Dean. Few actors know that better than Mickey Rourke, whose rise, fall, and eventual return to the mountaintop has already become the stuff of Hollywood legend. But when it spills over into the actor’s life and conflict becomes his method of operation, it can lead to ruin. The latter can often be the most compelling for an actor, and can inspire career defining performances. There are three types of conflict in drama: conflict with society, conflict with another person, and conflict with oneself.
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